{"id":4772,"date":"2018-08-01T19:48:43","date_gmt":"2018-08-01T19:48:43","guid":{"rendered":"http:\/\/lelabo.ca\/en\/?p=4772"},"modified":"2018-12-19T14:22:57","modified_gmt":"2018-12-19T14:22:57","slug":"toronto-trialogue-exhibition","status":"publish","type":"post","link":"https:\/\/lelabo.ca\/en\/toronto-trialogue-exhibition\/","title":{"rendered":"\u00ab\u00a0Toronto\u2019. Trialogue\u00a0\u00bb Exhibition"},"content":{"rendered":"

<\/b>Toronto\u2019. Trialogue<\/em><\/span><\/span><\/span><\/b><\/p>\n

an exhibition by:<\/strong>
\nSIMON M. BENEDICT et SONIA ROBERTSON<\/span><\/span><\/span><\/p>\n

CURATOR\u00a0:
\nGUY SIOUI DURAND<\/h5>\n

September\u00a07 – December 12, 2018<\/h3>\n
\"PromoTrialogue_couleur\"
Image Credit : Simon M. Benedict<\/figcaption><\/figure>\n
Le Labo,\u00a0in partnership with\u00a0YYZ Artists\u2019 Outlet,<\/strong>\u00a0has the great pleasure to co-present the \u00a0\u00bb\u00a0Toronto’. Trialogue \u00ab\u00a0<\/strong> exhibition by\u00a0Abenaki artist\u00a0Simon M. Benedict,<\/strong>\u00a0<\/strong>Ilnu artist\u00a0Sonia Robertson<\/strong>\u00a0and Wendat curator\u00a0Guy Sioui Durand<\/strong>.<\/h5>\n

EXHIBITION LOCATION :<\/strong> YYZ Artists’ Outlet, #140-401 Richmond St. W, Toronto, ON , M5V 3A8
\nYYZ GALLERY HOURS :<\/strong> TUESDAY – SATURDAY: 11AM – 5PM<\/strong><\/p>\n

\n

 <\/p>\n

OPENING RECEPTION at YYZ : Friday, September 7, 6-8PM<\/h5>\n
ARTIST TALK at YYZ :\u00a0Saturday, September 8, 11AM
\n(with Simon M. Benedict, Sonia Robertson, D. Taman Bradette and Eduardo Nelson Vasquez)<\/em><\/h5>\n

During their artist residency at Le Labo this summer, Benedict and Robertson collaborated in mini-residencies with two members from Le Labo, Denis Bradette and Eduardo Vasquez. This artist talk will be a chance for them to speak to their collective experience.<\/em><\/p>\n

 <\/p>\n

imagineNATIVE ART CRAWL\u00a0: Friday,\u00a0October\u00a0\u00a019, 8:30PM
\n<\/a>
\n(Exhibiting artist, Simon M. Benedict<\/a> will be present to introduce the Toronto. Trialogue\u00a0<\/em>exhibition)<\/h5>\n

\"1859
\nThe IMAGINENATIVE Festival\u2019s annual walking tour of exhibitions at 401 Richmond which this year features stops at six galleries!<\/p>\n

This year\u2019s Art Crawl takes place entirely in the 401 Richmond building and will begin at Urban Space Gallery where you can also try your hand with the on-site digital paintbrush and canvas! At each gallery, you will have the opportunity to hear from exhibition curators and attending artists. The talks are timed and\u00a0 a tight schedule is kept, but\u00a0participants are free to return to a gallery after talks are complete. All galleries are located on the ground floor with ramps, power-assisted doors and elevators.<\/p>\n

For more information about the Art Crawl :\u00a0<\/strong>
\nhttps:\/\/www.imaginenative.org\/2018-art-crawl<\/a><\/p>\n

 <\/p>\n

PROJECT INITIATED BY\u00a0LE LABO<\/a>\u00a0AND CO-PRESENTED WITH\u00a0YYZ ARTISTS’ OUTLET<\/a><\/strong><\/p>\n

IN\u00a0PARTENERSHIP WITH:\u00a0imagineNATIVE Film<\/a>\u00a0 + Media Arts Festival &\u00a0Charles Street Video<\/a>
\n<\/a>WITH THE SUPPORT OF:\u00a0CONSEIL DES ARTS DU CANADA<\/a>\u00a0+\u00a0<\/a>LE COLLECTIFS DES COMMISSAIRES AUTOCHONES
\n<\/a><\/strong><\/p>\n

\n

\n<\/em>A WORD FROM CURATOR GUY SIOUI DURAND<\/h5>\n

In a dream. In the Wendat language, Toronto\u2019<\/em> means\u00a0\u00ab\u00a0where the trees grow in the water\u00a0\u00bb. In fact, from the Great Lakes and their thunderous Niagara<\/em> falls to the islands of Lake Ontario, there is a large village. Behind its forest of metal and glass skyscrapers, it is furrowed by three major rivers (Humber, Don and Rouge). Beavers are still present and they recall the history of the fur trade at the heart of the relations between our peoples of the longhouses and the newcomers. Today, it is without a doubt the art spaces of Toronto\u2019<\/em> that stand out. They have never been so open to contemporary Aboriginal artists and their work.<\/p>\n

UN MOT DU COMMISSAIRE GUY SIOUI DURAND<\/h5>\n

R\u00eavons.<\/em>\u00a0Dans la langue Wendat, Toronto\u2019<\/em> veut dire \u00ab\u00a0l\u00e0 o\u00f9\u00a0les arbres poussent dans l\u2019eau\u00a0\u00bb. En effet, des Grands Lacs et leur chute tonnerre Niagara<\/em> jusqu\u2019aux \u00eeles dans le lac Ontario\u2019, il y a la grande bourgade. Derri\u00e8re sa for\u00eat de m\u00e9tal et de verre en gratte-ciels, elle est sillonn\u00e9e par trois importantes rivi\u00e8res (Humber, Don et Rouge). Les castors y sont toujours pr\u00e9sents. Ils rappellent l\u2019histoire de la traite des fourrures au c\u0153ur des relations entre nos Peuples des maisons longues et les arrivants. Aujourd\u2019hui, ce sont sans conteste les lieux de l\u2019art de Toronto\u2019<\/em> qui ressortent. Ils n\u2019ont jamais \u00e9t\u00e9 si ouverts aux artistes et aux \u0153uvres actuelles des Autochtones.<\/p>\n

WENDAT<\/h5>\n

Kwatra\u2019skhwatha\u2019
\nYaronhkha\u2019 kwatatiahk. De\u2019kha\u2019 y\u00e4ndata\u2019\u00a0Toronto<\/em>\u00a0atehchiendayehtats. Y\u00e4ndata\u2019yeh teyarontayeh ndien\u2019. Khondae\u2019 teyarontayeh teyaronto\u2019. Yaro\u2019 de ontarow\u00e4nenh, ha\u2019teiontarayeh. Tho on\u2019wahti\u2019\u00a0Niagara<\/em>\u00a0ay\u00e4nderondiahk. Kha\u2019 Ontar\u00efio\u2019 iyaen\u2019. Ontarayonh y\u00e4ndatow\u00e4nenh iyaen\u2019. Ahchienhk iyahndawayeh.\u00a0Humber, Don\u00a0<\/em>chia\u2019\u00a0Rouge<\/em>\u00a0atiatsih. Khondae\u2019 yahndayow\u00e4nenh. De\u2019kha\u2019 yahndayow\u00e4nenh yarhayonh endien\u2019. De yarha\u2019 ohwihsta\u2019 \u00efohtih chia\u2019 de yarha\u2019 oyahkwe\u2019nda\u2019. Chia\u2019teohtih. De yaronta\u2019 atironhiach. Yahndayow\u00e4nenh tsou\u2019tayi\u2019 etiawehtih. Yahndayow\u00e4nenh Tsou\u2019tayi\u2019 y\u00e4ndare\u2019. Tho \u00efawenhchonnion\u2019 ayoahronkha\u2019. Kwatendotonnionhk. De \u00f6ne de y\u00e4ndehwa\u2019 ahonwendatenhndinon\u2019. Onhwa\u2019, tho ayorihwahchrondih iyaen\u2019. Tho ayohsohkwahchrondih iyaen\u2019. Hendia\u2019tate\u2019 de hatindarahchr\u00efio\u2019. Hendia\u2019tate\u2019 de aweti\u2019 hatirihiwahchondiahk. Hendia\u2019tate\u2019 de aweti\u2019 honhsohkwahchondiahk. Onyionhwentsayeh ekwatiehst. Onyionhwentis\u00efio\u2019 lyennen\u2019, lyen\u2019 chia\u2019 chih eyenhk.<\/p>\n

INNU-AIMUN<\/h5>\n

Toronto:\u00a0 e\u00a0nishtuetshinakan
\nPuamutau.\u00a0E innu-aiminanut anite tetshe Wendat mak Senaca ka itakaniht, nanikutini Toronto issishuemakan ume: \u00a8<Nish mishtikuat nitautshuat nipit> eku ne kuatak essishuemakak \u00b8<Tamipeku mishtik(u)>\u00a0e innu-aiminanut, ume…Miam, kamishakamati shakaikana (SMB1), mak Nanimassiu-paushtikua (SMB2),ne Niagara nuash minishtikkut ka takuak anite Ontario shakaikanit, takuan anite utenass. Akutit anite assikuman-minashkuatmak anite mistshetuau kashamatikutshuaputi (SMB3), nisht anite pimukuna mishta shipua(Humber, Don mak Rouge ka ishinikateti). Eshk(u) tauat amishkuat miam tipatshimutau ka atauatshenanut upiuau-shuniau, ka atamakaniht anitshenat ka ussi-takushiniht ute tshitassinat, tshinanu ka uitshiak(u) mishta shapituana, ka tshinuati mitshuapa ka inanut. Kashikat ekuata anite e nukuak eshi-pikutaiak(u), natshi-uapatakanu anite Toronto. Apu nita ut eshk(u) ishpish nukutakan eshi matau-pikutaiak(u), ka ishi- unishinataitsheiak(u), ka ishi-mukutatsheiak(u\u00a8),\u00a0 tshinanu autochtones ka ishi-uinikuiak(u).<\/p>\n

(SMB1) Grands lacs: Kamishakamati Shakaiukana<\/p>\n

(SMB2) Nanimassiu-apaushtik(u) Niagara ka ishinikatet<\/p>\n

(SMB3) Mitshetuau kashamatikutshuap Gratte-ciel<\/p>\n

ABENAKI<\/h5>\n

Abaziak nebik ala kwenakwamal nebik, pazgwen liwizow8gan wji kchi odana msinebesalek magwakik. Megenigan akik wji n8jihob paamiwi azwato wakasenolsizal, let8 mtanaw8gan.<\/p>\n

\n
\u00c0 PROPOS LES ARTISTES ET LE COMMISSAIRE<\/h5>\n
SIMON M. BENEDICT<\/a><\/h5>\n

Based in Toronto, Simon M. Benedict is an artist working with video, sound, performance, and photography. He repurposes existing audiovisual material and archival documents to explore our relationship to various fictional and historical narrative forms, and their impact on our perception of unmediated reality.<\/p>\n

Benedict holds an MFA from the University of Guelph (2016) and a BFA from Concordia University, Montreal (2011). His work has been exhibited in Canada, Europe, and the United States, including recently at Evans Contemporary (Peterborough, 2018), VU (Quebec City, 2018), Dazibao (Montreal, 2018), and NRW-Forum D\u00fcsseldorf (2018). He has participated in residencies at Le Labo, the National Film Board, Artscape Gibraltar Point, the Banff Centre, and Centre Skol. He has received grants from the Canada Council for the Arts, the Ontario Arts Council, and the Toronto Arts Council.\u00a0Find out more\u00a0:\u00a0<\/strong>https:\/\/www.simonmbenedict.com\/<\/a><\/p>\n


\nSONIA ROBERTSON<\/a><\/h5>\n

Sonia Robertson, an Ilnu from Mashteuiatsh, completed a Bachelor’s degree in Interdisciplinary Art from the University of Quebec in Chicoutimi after her college studies in Photography. She has additional training in, for example, Butoh, raw materials, dance performance, and poetry and she recently completed a Masters in Art Therapy from the Universit\u00e9 du Qu\u00e9bec en Abitibi-T\u00e9miscamingue (UQAT).<\/p>\n

Music and photography are her first means of expression. Among First Nations peoples, it is forbidden to take pictures during ceremonies because it is said that photography steals the soul of the subject. Robertson therefore uses the image in this way so that the works become the material trace of a lived spiritual experience with the subjects and spirits of a place. Her desires to use space, to create sacred places and to recreate atmospheres have led her to installation practices. In addition to making in-situ installations, Robertson\u2019s desires to cleanse, to find the essence and to bring people together, have led her to consider the body as a material or as a bearer of meaning which have led her to also work in performance\/dance and relational aesthetics.<\/p>\n

Her work often exists only for the places for which they are created. They are a moment or a period of time sometimes marked by repetition of a gesture and inspired by the women artisans of her community. Impressions of lightness and movement become communions\/tensions between; shadows and light, body and spirit, matter and the hereafter. Sometimes political, healing and\/or participatory, Robertson reflects on the respect for all life forms in her work. Her questioning looks at polarities, changes of perception, to the limits of space (place), materials (as immaterial) and the place of the First Nations in this world. Robertson has presented her works in her community, in various regions of Quebec and Canada as well as in France, Haiti, Mexico and Japan.<\/p>\n

GUY SIOUI DURAND
\nCommissaire<\/h5>\n

Guy Sioui Durand<\/strong>\u00a0is a Wendat (Huron) based in Wendake, Qu\u00e9bec, Canada. He is a sociologist (Ph.D), art critic, independant curator, and performer (spoken words). He is specialised in contemporary Aboriginal art and contemporary art.<\/p>\n

 <\/p>\n

 <\/p>\n

PROJECT INITIATED BY\u00a0LE LABO<\/a>, TORONTO\u2019S FRANCOPHONE MEDIA ARTS CENTRE AND CO-PRESENTED BY YYZ ARTISTS\u2019 OUTLET<\/a>\u00a0<\/em><\/strong><\/p>\n

\"YYZlogo_red<\/p>\n

WITH THE SUPPORT OF:<\/b> CANADA COUNCIL FOR THE ARTS <\/b><\/a>+ the ABORIGINAL CURATORIAL COLLECTIVE\u00a0<\/a><\/b><\/h3>\n

\"Canada-Council-for-the-Arts\"<\/p>\n

\"ACC:CCA<\/p>\n

IN PARTNERSHIP WITH\u00a0:\u00a0Charles Street Video<\/a>\u00a0&\u00a0imagineNATIVE\u00a0FILM + MEDIA ARTS FESTIVAL<\/a><\/strong><\/p>\n

\u00a0\"CSV\"<\/span><\/strong><\/p>\n

\"1859<\/span><\/strong><\/p>\n

<\/h3>\n","protected":false},"excerpt":{"rendered":"

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